singerspassion

Music expresses feeling and thought, without language; it was below and before speech, and it is above and beyond all words.

Raag Tilak Kamod

Tilak Kamod is a Hindustani classical raag.

The raga is of Sharava-sampurna nature, i.e., in its arohana (ascent) six notes are used (Dha is excluded), whereas the avarohana(descent) uses all the seven notes. All the swaras used in this raga are shuddha.

Thaat: Khamaj

Jaati: Sharava-sampurna

Vaadi: Re

Samvadi: Pa

Aaroh: Sa Re Ga Sa, Re Ma Pa, Dha Ma Pa Ni SA.

Avaroh: Sa Pa, Dha Ma Ga Re, Pa Ma Ga Re Sa Ni, Sa.

Pakad: SA Pa, Dha Ma Ga, Sa Re Ga Sa s Sa Ni, Pa Ni Sa Re Ga Sa.

Samay (time): Second quarter of the night (dwitiya prahar)

Raag Tilak-Kamod based songs:

Dil-e-nadaan tujhe hua kya – Mirza Ghalib
Tumhare bin ji na lage gharmen – Bhumika

Badariya Baras Gayi Us Paar – Murti

Chali Re Chali Re Mai To Des Paraye – Sarang

Hiya Jarat Rahat Din Rain – Godan

Ho Gaye Do Rooj…Wafa Jinse Ki – Pyar Ka Sagar

Hamne Tujhko Pyar Kiya Hai Jitna – Dulha Dulhan

Mujhe Mil Gayi Hai Mohabat – First Love

Teri Yaad Dil Se Bhulane – Hariyali Aur Rasta

Tumhare Bin Ji Na Lage Gharmen – Bhumika

Aaoge Jab Tum Ho Saajna – Jab We Met

 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Information

This entry was posted on October 30, 2013 by in Ragas.
%d bloggers like this: